Cleber de Campos is a Brazilian-born, London-based designer.
He is a Design Director at Nomad Studio.
Prior to that, he worked at NB Studio and Pentagram London, where he was an Associate Partner at Marina Willer’s team.
As a side project, he founded and writes the blog On Colour Off Colour.
Over the years, Cleber has collaborated with a diverse range of clients – from small independents to million-pound rebrands – spanning arts, culture, luxury, tech, charities, and even witchcraft.
He is deeply interested in the impact of ever-changing technologies on creative work and production. Cleber advocates for workflows that blend different ways of making, mixing tools and processes that range from AI to the most lo-fi, hands-on methods. Click here to see more about his process.
His favourite metaphor for a strong idea is a very big ball of wool: it has a solid core and an infinite thread that can be continuously pulled – constantly expanding and shaping into new forms. As he sees it, designers are the thinkers, makers, and authors of whatever that becomes.
Cleber holds a Master’s in Graphic Design from UAL: London College of Communication. He has lectured part-time at the University of Greenwich and mentors emerging designers. He has also spoken at events such as Nicer Tuesdays (London) and Touch RGB (Tbilisi).
Articles
In the beginning of 2026, Cleber started On Colour Off Colour, a design blog publishing essays, reviews, and short-form observations that treat colour as design, not decoration. The blog interest lies in the strategies designers use and in how meaning is formed through chromatic decisions. Some articles he wrote include:
Between light and shadow: The graphic Language of Estevan Silveira
→
Finding tarps, colours and faces: In conversation with Sabina Weiss, Product Design Lead at Freitag
→
Turma da Mônica e Maurício de Souza
→
A colour we have never seen. From “Olo” to RGB and LSD: a guide to colour gamut
→
Colour trends 2026
→
Colour as a subject
→
Some other written pieces — not relating to colours — are also available below.
It was the best of ideas, it was the worst of ideas
→
Naming goes bananas
→
Design Week — Ten Takes
→
Cracking Open #1 — It’s what’s inside
→
Cracking Open #2 — Dress to Impress
→
Cracking Open #3 — Gotta catch ‘em all
→
100 Portfolio Tips
→
Talks
Touch RGB Georgia
2024
→
It’s Nice That: Nicer Tuesdays
2018
→
Awards
Brand Impact Awards (Bronze in Brand Strategy)
Streamtime
2025
→
Brand Impact Awards (Bronze in Brand Strategy)
Le Tarot de L’étoile Cachée
2022
→
Creative Review The Annual (Brand Identity)
Battersea
2019
→
AIGA 50 Books / 50 Covers (Best Books Designs of the World)
Soul of the Nilgiris
2018
→
D&AD 2018 Book Design (Shortlist)
Soul of the Nilgiris
2018
→
European Design Awards (Silver in Publications)
Sabat Magazine
2018
→
D&AD (Indie Magazine — Wood Pencil)
Sabat Magazine
2017
→
Stack Awards (shortlisted for Magazine of the Year)
Sabat Magazine
2017
→
Stack Awards (commended for Art Director of the Year)
Sabat Magazine
2017
→
Stack Awards (shortlisted for Magazine of the Year)
Sabat Magazine
2016
→
Buy stuff
Myfonts
→
Soul of the Nilgiris
→
Sabat Magazine
→
Press
2025 Creative Review — Meet the brand playbook your brand actually needs — The Brand Architecture Book2025 Creative Review — London serves as muse for new Beefeater brand world2025 Dusted — Beyond movement. How motion branding creates deeper brand experiences — Streamtime2025 Brand New — Time is of the essence — Streamtime2025 Design Week — NB Studio rebrands creative timesheet tool Streamtime2025 Creative Boom — 'The future of work is wobbly': NB Studio's off-kilter rebrand for Streamtime2025 Inspiration Grid — Brasil! Brasil! The Birth of Modernism: Exhibition Identity by Pentagram2024 Forbes — Amid The Spirituality Boom, Women Are Reclaiming Tarot Art — Sabat Magazine2024 UX Design — How to brand science? — Natural History Museum2024 Monotype Type Trends — Flux — Natural History Museum2024 Rebrand.Gallery — KVA Leadership Bento2023 It’s Nice That — Pentagram and Nomad’s Natural History Museum rebrand aims to inspire a new generation of nature lovers2023 Design Week — “From passive catalogue to active catalyst”: Natural History Museum’s new identity2023 Brand New — New Logo and Identity for Natural History Museum by Pentagram and Nomad — Has a Nice Ring to it2023 Creative Review — A new era for the Natural History Museum2023 Creative Boom — Pentagram and Nomad create new branding for London's Natural History Museum2023 BP&O — Natural History Museum by Pentagram & Nomad2023 Creative Bloq — How we made the Natural History Museum's new identity2023 Creative Review — How the V&A is facing the future2021 BFI — Sight and Sound magazine relaunches with new look and revamped editorial2021 Creative Review — Pentagram redesigns Sight and Sound for a new era of film2021 Communications Arts — Sight & Sound design2021 It’s Nice That — BFI’s iconic film magazine Sight and Sound gets an identity revamp by Pentagram2021 Design Week — Pentagram redesigns Sight and Sound film magazine “for our times”2021 Creative Boom — Pentagram redesigns iconic British Film Institute mag, Sight and Sound2021 Brand New — New logo for Nubank2020 Designboom — Spirit of Ecstasy fronts Rolls-Royce's new brand identity by Pentagram2020 Dezeen — Rolls-Royce unveils "confident but quiet" rebrand by Pentagram2020 Creative Boom — Pentagram's Marina Willer crafts brand and 'virtual environment' for Unesco's annual summit2020 It’s Nice That — Rolls-Royce redesign by Pentagram’s Marina Willer reimagines the brand for a younger, contemporary audience2020 Creative Boom — Pentagram launches new brand identity for Rolls-Royce to appeal to a 'younger audience'2020 Creative Review — Rolls-Royce unveils digital-friendly identity by Pentagram2020 Design Week — Pentagram designs “edgier” visual identity for Rolls-Royce2020 Hypebeast — Rolls-Royce Advances Luxury Aspirations With Revamped Brand Identity2020 Creative Bloq — Stunning Rolls-Royce rebrand is a detail-driven triumph2020 Brand New — New Logo and Identity for Rolls-Royce by Pentagram — That’s how I Rolls2020 Brand New—New Logo and Identity for Blood Cancer UK by Pentagram—B Still my Beating ♥2020 It’s Nice That—Marina Willer rebrands Blood Cancer UK, with a visual personality that is “both scientific and kind”2020 Creative Bloq—Graphic Designs Charity rebrand shows the simplest ideas are the best2020 Design Week—Pentagram gives cancer charity a “passionate but considered” rebrand2019 Design Week—Design inspiration: the best studio projects from May and June—Soul of the Nilgiris2019 IdN Magazine—Creators—Cleber de Campos2018 Brand New—New Logo and Identity for Battersea by Pentagram—Look what the Watercolor Dragged In2018 Aiga—Eye on Design—Design Diary No. 206: ModMag is Back, A Witchy New Tarot Deck, the Aesthetics of Resistance + More2018 Fonts in Use—Soul of the Nilgiris2017 It’s Nice That—Sabat magazine completes the Triple Goddess trilogy with the Crone Issue2017 MagCulture—Out now: Sabat #3, The Crone Issue2017 Mindsparkle Mag—Kinky Font Family2016 It's Nice That—Stack Awards announces shortlist for best magazines of the year2016 It’s Nice That—Sabat magazine explores the world of contemporary witchcraft with style2016 Stack—Uncovering Sabat magazine’s hidden occult designs2016 Stack—Stack Awards: Shortlist announced!2016 Stack—Behind the scenes: Sabat magazine2016 Fonts in Use—Sabat Magazine 1, The Maiden Issue2016 People of Print—Sabat Magazine, The Mother Issue 2016 Vice—'Sabat' Is the Magazine For the Modern Witch2016 Dazed—How to embrace your inner witch2016 Rayita Azules: Revista Sabat, Las Brujas Invaden Halloween2016 Haute Macabre—Sabat Magazine: The Maiden Issue2016 MagCulture—Out Now: Sabat#1 2016 The Dieline—Concepts we wish were real: Vuelo Pharma (it is actually real)2016 Packaging of the world—Vuelo Pharma2016 Trendlist2015 Eye Magazine—Word pictures from Yahsibey2015 Newspaper Club—I have NOT read and agree to the terms of use2015 We and the Colour—Major project submissions from Cleber de Campos’ MA in Graphic Design at LCC2014 Eye Magazine—Critical heat on the Aegean coast2014 Memefest—I have NOT read and agree to the terms of use
Books and Magazines features
Dynamic identities: an analysis. A new classification system, from Sergio CoriniPalette no.6: Transparent, from Vic:TionaryPublication Design, from DopressSpecial Textures & Materials, from DopressBells & Whistles—Printing with Special Effects, from Gingko PressDeveloping Citizen Designers, from Bloomsbury PublishingChois Gallery 37IdN v24n2: Editorial Design—In Grid We TrustTypenotes 2, from Fontsmith IdN v25n5: Publication Design—The Great Print Comeback
Contact
Cleber de Campos is a Brazilian-born, London-based designer.
He is a Design Director at Nomad Studio.
Prior to that, he worked at NB Studio and Pentagram London, where he was an Associate Partner at Marina Willer’s team.
As a side project, he founded and writes the blog On Colour Off Colour.
Over the years, Cleber has collaborated with a diverse range of clients – from small independents to million-pound rebrands – spanning arts, culture, luxury, tech, charities, and even witchcraft.
He is deeply interested in the impact of ever-changing technologies on creative work and production. Cleber advocates for workflows that blend different ways of making, mixing tools and processes that range from AI to the most lo-fi, hands-on methods. Click here to see more about his process.
His favourite metaphor for a strong idea is a very big ball of wool: it has a solid core and an infinite thread that can be continuously pulled – constantly expanding and shaping into new forms. As he sees it, designers are the thinkers, makers, and authors of whatever that becomes.
Cleber holds a Master’s in Graphic Design from UAL: London College of Communication. He has lectured part-time at the University of Greenwich and mentors emerging designers. He has also spoken at events such as Nicer Tuesdays (London) and Touch RGB (Tbilisi).
Articles
In the beginning of 2026, Cleber started On Colour Off Colour, a design blog publishing essays, reviews, and short-form observations that treat colour as design, not decoration. The blog interest lies in the strategies designers use and in how meaning is formed through chromatic decisions. Some articles he wrote include:
Between light and shadow: The graphic Language of Estevan Silveira
→
Finding tarps, colours and faces: In conversation with Sabina Weiss, Product Design Lead at Freitag
→
Turma da Mônica e Maurício de Souza
→
A colour we have never seen. From “Olo” to RGB and LSD: a guide to colour gamut
→
Colour trends 2026
→
Colour as a subject
→
Some other written pieces — not relating to colours — are also available below.
It was the best of ideas, it was the worst of ideas
→
Naming goes bananas
→
Design Week — Ten Takes
→
Cracking Open #1 — It’s what’s inside
→
Cracking Open #2 — Dress to Impress
→
Cracking Open #3 — Gotta catch ‘em all
→
100 Portfolio Tips
→
Talks
Touch RGB Georgia
2024
→
It’s Nice That: Nicer Tuesdays
2018
→
Awards
Brand Impact Awards (Bronze in Brand Strategy)
Streamtime
2025
→
Antalis Creative Power Award (Packaging and Promotional)
Le Tarot de L’étoile Cachée
2022
→
Creative Review The Annual (Brand Identity)
Battersea
2019
→
AIGA 50 Books / 50 Covers (Best Book Designs of the World)
Soul of the Nilgiris
2018
→
D&AD 2018 Book Design (Shortlist)
Soul of the Nilgiris
2018
→
European Design Awards (Silver in Publications)
Sabat Magazine
2018
→
D&AD (Indie Magazine — Wood Pencil)
Sabat Magazine
2017
→
Stack Awards (shortlisted for Magazine of the Year)
Sabat Magazine
2017
→
Stack Awards (commended for Art Director of the Year)
Sabat Magazine
2017
→
Stack Awards (shortlisted for Magazine of the Year)
Sabat Magazine
2016
→
Buy stuff
Myfonts
→
Soul of the Nilgiris
→
Sabat Magazine
→
Press
2025 Creative Review — Meet the brand playbook your brand actually needs — The Brand Architecture Book2025 Creative Review — London serves as muse for new Beefeater brand world2025 Dusted — Beyond movement. How motion branding creates deeper brand experiences — Streamtime2025 Brand New — Time is of the essence — Streamtime2025 Design Week — NB Studio rebrands creative timesheet tool Streamtime2025 Creative Boom — 'The future of work is wobbly': NB Studio's off-kilter rebrand for Streamtime2025 Inspiration Grid — Brasil! Brasil! The Birth of Modernism: Exhibition Identity by Pentagram2024 Forbes — Amid The Spirituality Boom, Women Are Reclaiming Tarot Art — Sabat Magazine2024 UX Design — How to brand science? — Natural History Museum2024 Monotype Type Trends — Flux — Natural History Museum2024 Rebrand.Gallery — KVA Leadership Bento2023 It’s Nice That — Pentagram and Nomad’s Natural History Museum rebrand aims to inspire a new generation of nature lovers2023 Design Week — “From passive catalogue to active catalyst”: Natural History Museum’s new identity2023 Brand New — New Logo and Identity for Natural History Museum by Pentagram and Nomad — Has a Nice Ring to it2023 Creative Review — A new era for the Natural History Museum2023 Creative Boom — Pentagram and Nomad create new branding for London's Natural History Museum2023 BP&O — Natural History Museum by Pentagram & Nomad2023 Creative Bloq — How we made the Natural History Museum's new identity2023 Creative Review — How the V&A is facing the future2021 BFI — Sight and Sound magazine relaunches with new look and revamped editorial2021 Creative Review — Pentagram redesigns Sight and Sound for a new era of film2021 Communications Arts — Sight & Sound design2021 It’s Nice That — BFI’s iconic film magazine Sight and Sound gets an identity revamp by Pentagram2021 Design Week — Pentagram redesigns Sight and Sound film magazine “for our times”2021 Creative Boom — Pentagram redesigns iconic British Film Institute mag, Sight and Sound2021 Brand New — New logo for Nubank2020 Designboom — Spirit of Ecstasy fronts Rolls-Royce's new brand identity by Pentagram2020 Dezeen — Rolls-Royce unveils "confident but quiet" rebrand by Pentagram2020 Creative Boom — Pentagram's Marina Willer crafts brand and 'virtual environment' for Unesco's annual summit2020 It’s Nice That — Rolls-Royce redesign by Pentagram’s Marina Willer reimagines the brand for a younger, contemporary audience2020 Creative Boom — Pentagram launches new brand identity for Rolls-Royce to appeal to a 'younger audience'2020 Creative Review — Rolls-Royce unveils digital-friendly identity by Pentagram2020 Design Week — Pentagram designs “edgier” visual identity for Rolls-Royce2020 Hypebeast — Rolls-Royce Advances Luxury Aspirations With Revamped Brand Identity2020 Creative Bloq — Stunning Rolls-Royce rebrand is a detail-driven triumph2020 Brand New — New Logo and Identity for Rolls-Royce by Pentagram — That’s how I Rolls2020 Brand New—New Logo and Identity for Blood Cancer UK by Pentagram—B Still my Beating ♥2020 It’s Nice That—Marina Willer rebrands Blood Cancer UK, with a visual personality that is “both scientific and kind”2020 Creative Bloq—Graphic Designs Charity rebrand shows the simplest ideas are the best2020 Design Week—Pentagram gives cancer charity a “passionate but considered” rebrand2019 Design Week—Design inspiration: the best studio projects from May and June—Soul of the Nilgiris2019 IdN Magazine—Creators—Cleber de Campos2018 Brand New—New Logo and Identity for Battersea by Pentagram—Look what the Watercolor Dragged In2018 Aiga—Eye on Design—Design Diary No. 206: ModMag is Back, A Witchy New Tarot Deck, the Aesthetics of Resistance + More2018 Fonts in Use—Soul of the Nilgiris2017 It’s Nice That—Sabat magazine completes the Triple Goddess trilogy with the Crone Issue2017 MagCulture—Out now: Sabat #3, The Crone Issue2017 Mindsparkle Mag—Kinky Font Family2016 It's Nice That—Stack Awards announces shortlist for best magazines of the year2016 It’s Nice That—Sabat magazine explores the world of contemporary witchcraft with style2016 Stack—Uncovering Sabat magazine’s hidden occult designs2016 Stack—Stack Awards: Shortlist announced!2016 Stack—Behind the scenes: Sabat magazine2016 Fonts in Use—Sabat Magazine 1, The Maiden Issue2016 People of Print—Sabat Magazine, The Mother Issue 2016 Vice—'Sabat' Is the Magazine For the Modern Witch2016 Dazed—How to embrace your inner witch2016 Rayita Azules: Revista Sabat, Las Brujas Invaden Halloween2016 Haute Macabre—Sabat Magazine: The Maiden Issue2016 MagCulture—Out Now: Sabat#1 2016 The Dieline—Concepts we wish were real: Vuelo Pharma (it is actually real)2016 Packaging of the world—Vuelo Pharma2016 Trendlist2015 Eye Magazine—Word pictures from Yahsibey2015 Newspaper Club—I have NOT read and agree to the terms of use2015 We and the Colour—Major project submissions from Cleber de Campos’ MA in Graphic Design at LCC2014 Eye Magazine—Critical heat on the Aegean coast2014 Memefest—I have NOT read and agree to the terms of use
Books and Magazines features
Dynamic identities: an analysis. A new classification system, from Sergio CoriniPalette no.6: Transparent, from Vic:TionaryPublication Design, from DopressSpecial Textures & Materials, from DopressBells & Whistles—Printing with Special Effects, from Gingko PressDeveloping Citizen Designers, from Bloomsbury PublishingChois Gallery 37IdN v24n2: Editorial Design—In Grid We TrustTypenotes 2, from Fontsmith IdN v25n5: Publication Design—The Great Print Comeback
Contact
Cleber de Campos is a Brazilian-born, London-based designer.
He is a Design Director at Nomad Studio.
Prior to that, he worked at NB Studio and Pentagram London, where he was an Associate Partner at Marina Willer’s team.
As a side project, he founded and writes the blog On Colour Off Colour.
Over the years, Cleber has collaborated with a diverse range of clients – from small independents to million-pound rebrands – spanning arts, culture, luxury, tech, charities, and even witchcraft.
He is deeply interested in the impact of ever-changing technologies on creative work and production. Cleber advocates for workflows that blend different ways of making, mixing tools and processes that range from AI to the most lo-fi, hands-on methods. Click here to see more about his process.
His favourite metaphor for a strong idea is a very big ball of wool: it has a solid core and an infinite thread that can be continuously pulled – constantly expanding and shaping into new forms. As he sees it, designers are the thinkers, makers, and authors of whatever that becomes.
Cleber holds a Master’s in Graphic Design from UAL: London College of Communication. He has lectured part-time at the University of Greenwich and mentors emerging designers. He has also spoken at events such as Nicer Tuesdays (London) and Touch RGB (Tbilisi).
Articles
In the beginning of 2026, Cleber started On Colour Off Colour, a design blog publishing essays, reviews, and short-form observations that treat colour as design, not decoration. The blog interest lies in the strategies designers use and in how meaning is formed through chromatic decisions. Some articles he wrote include:
Between light and shadow: The graphic Language of Estevan Silveira
→
Finding tarps, colours and faces: In conversation with Sabina Weiss, Product Design Lead at Freitag
→
Turma da Mônica e Maurício de Souza
→
A colour we have never seen. From “Olo” to RGB and LSD: a guide to colour gamut
→
Colour trends 2026
→
Colour as a subject
→
Some other written pieces — not relating to colours — are also available below.
It was the best of ideas, it was the worst of ideas
→
Naming goes bananas
→
Design Week — Ten Takes
→
Cracking Open #1 — It’s what’s inside
→
Cracking Open #2 — Dress to Impress
→
Cracking Open #3 — Gotta catch ‘em all
→
100 Portfolio Tips
→
Talks
Touch RGB Georgia
2024
→
It’s Nice That: Nicer Tuesdays
2018
→
Awards
Brand Impact Awards (Bronze in Brand Strategy)
Streamtime
2025
→
Antalis Creative Power Award (Packaging and Promotional)
Le Tarot de L’étoile Cachée
2022
→
Creative Review The Annual (Brand Identity)
Battersea
2019
→
AIGA 50 Books / 50 Covers (Best Book Designs of the World)
Soul of the Nilgiris
2018
→
D&AD (Book Design — Shortlist)
Soul of the Nilgiris
2018
→
European Design Awards (Silver in Publications)
Sabat Magazine
2018
→
D&AD (Indie Magazine — Wood Pencil)
Sabat Magazine
2017
→
Stack Awards (shortlisted for Magazine of the Year)
Sabat Magazine
2017
→
Stack Awards (commended for Art Director of the Year)
Sabat Magazine
2017
→
Stack Awards (shortlisted for Magazine of the Year)
Sabat Magazine
2016
→
Lisbon Health Festival (Bronze in Design)
Vuelo Pharma
2018
→
Selección Clap (in Branding)
Vuelo Pharma
2017
→
Buy stuff
Myfonts
→
Soul of the Nilgiris
→
Sabat Magazine
→
Press
2025 Creative Review — Meet the brand playbook your brand actually needs — The Brand Architecture Book2025 Creative Review — London serves as muse for new Beefeater brand world2025 Dusted — Beyond movement. How motion branding creates deeper brand experiences — Streamtime2025 Brand New — Time is of the essence — Streamtime2025 Design Week — NB Studio rebrands creative timesheet tool Streamtime2025 Creative Boom — 'The future of work is wobbly': NB Studio's off-kilter rebrand for Streamtime2025 Inspiration Grid — Brasil! Brasil! The Birth of Modernism: Exhibition Identity by Pentagram2024 Forbes — Amid The Spirituality Boom, Women Are Reclaiming Tarot Art — Sabat Magazine2024 UX Design — How to brand science? — Natural History Museum2024 Monotype Type Trends — Flux — Natural History Museum2024 Rebrand.Gallery — KVA Leadership Bento2023 It’s Nice That — Pentagram and Nomad’s Natural History Museum rebrand aims to inspire a new generation of nature lovers2023 Design Week — “From passive catalogue to active catalyst”: Natural History Museum’s new identity2023 Brand New — New Logo and Identity for Natural History Museum by Pentagram and Nomad — Has a Nice Ring to it2023 Creative Review — A new era for the Natural History Museum2023 Creative Boom — Pentagram and Nomad create new branding for London's Natural History Museum2023 BP&O — Natural History Museum by Pentagram & Nomad2023 Creative Bloq — How we made the Natural History Museum's new identity2023 Creative Review — How the V&A is facing the future2021 BFI — Sight and Sound magazine relaunches with new look and revamped editorial2021 Creative Review — Pentagram redesigns Sight and Sound for a new era of film2021 Communications Arts — Sight & Sound design2021 It’s Nice That — BFI’s iconic film magazine Sight and Sound gets an identity revamp by Pentagram2021 Design Week — Pentagram redesigns Sight and Sound film magazine “for our times”2021 Creative Boom — Pentagram redesigns iconic British Film Institute mag, Sight and Sound2021 Brand New — New logo for Nubank2020 Designboom — Spirit of Ecstasy fronts Rolls-Royce's new brand identity by Pentagram2020 Dezeen — Rolls-Royce unveils "confident but quiet" rebrand by Pentagram2020 Creative Boom — Pentagram's Marina Willer crafts brand and 'virtual environment' for Unesco's annual summit2020 It’s Nice That — Rolls-Royce redesign by Pentagram’s Marina Willer reimagines the brand for a younger, contemporary audience2020 Creative Boom — Pentagram launches new brand identity for Rolls-Royce to appeal to a 'younger audience'2020 Creative Review — Rolls-Royce unveils digital-friendly identity by Pentagram2020 Design Week — Pentagram designs “edgier” visual identity for Rolls-Royce2020 Hypebeast — Rolls-Royce Advances Luxury Aspirations With Revamped Brand Identity2020 Creative Bloq — Stunning Rolls-Royce rebrand is a detail-driven triumph2020 Brand New — New Logo and Identity for Rolls-Royce by Pentagram — That’s how I Rolls2020 Brand New—New Logo and Identity for Blood Cancer UK by Pentagram—B Still my Beating ♥2020 It’s Nice That—Marina Willer rebrands Blood Cancer UK, with a visual personality that is “both scientific and kind”2020 Creative Bloq—Graphic Designs Charity rebrand shows the simplest ideas are the best2020 Design Week—Pentagram gives cancer charity a “passionate but considered” rebrand2019 Design Week—Design inspiration: the best studio projects from May and June—Soul of the Nilgiris2019 IdN Magazine—Creators—Cleber de Campos2018 Brand New—New Logo and Identity for Battersea by Pentagram—Look what the Watercolor Dragged In2018 Aiga—Eye on Design—Design Diary No. 206: ModMag is Back, A Witchy New Tarot Deck, the Aesthetics of Resistance + More2018 Fonts in Use—Soul of the Nilgiris2017 It’s Nice That—Sabat magazine completes the Triple Goddess trilogy with the Crone Issue2017 MagCulture—Out now: Sabat #3, The Crone Issue2017 Mindsparkle Mag—Kinky Font Family2016 It's Nice That—Stack Awards announces shortlist for best magazines of the year2016 It’s Nice That—Sabat magazine explores the world of contemporary witchcraft with style2016 Stack—Uncovering Sabat magazine’s hidden occult designs2016 Stack—Stack Awards: Shortlist announced!2016 Stack—Behind the scenes: Sabat magazine2016 Fonts in Use—Sabat Magazine 1, The Maiden Issue2016 People of Print—Sabat Magazine, The Mother Issue 2016 Vice—'Sabat' Is the Magazine For the Modern Witch2016 Dazed—How to embrace your inner witch2016 Rayita Azules: Revista Sabat, Las Brujas Invaden Halloween2016 Haute Macabre—Sabat Magazine: The Maiden Issue2016 MagCulture—Out Now: Sabat#1 2016 The Dieline—Concepts we wish were real: Vuelo Pharma (it is actually real)2016 Packaging of the world—Vuelo Pharma2016 Trendlist2015 Eye Magazine—Word pictures from Yahsibey2015 Newspaper Club—I have NOT read and agree to the terms of use2015 We and the Colour—Major project submissions from Cleber de Campos’ MA in Graphic Design at LCC2014 Eye Magazine—Critical heat on the Aegean coast2014 Memefest—I have NOT read and agree to the terms of use
Books and Magazines features
Dynamic identities: an analysis. A new classification system, from Sergio CoriniPalette no.6: Transparent, from Vic:TionaryPublication Design, from DopressSpecial Textures & Materials, from DopressBells & Whistles—Printing with Special Effects, from Gingko PressDeveloping Citizen Designers, from Bloomsbury PublishingChois Gallery 37IdN v24n2: Editorial Design—In Grid We TrustTypenotes 2, from Fontsmith IdN v25n5: Publication Design—The Great Print Comeback
Contact